we were talking with several distributors and had an offer from a company that I had worked at before and it was the same model--the platform release, New York, LA, let’s wait for the reviews [and] our per-screen averages that first weekend, and we’ll go to the next eight markets, the next 12 markets and we’ll roll out that way. That has been my career for 12 years, but I would say for the last seven years that hasn’t worked for my films...So myself and my two producers, Aaron Lubin and Pam Murphy, were brainstorming and the idea came up, ‘What about approaching iTunes?’ They had never premiered a film before… We thought this is where it seems to be going, so why not be on the cutting-edge of this technology-- and we can’t do any worse than the last three films of mine have done theatrically, so maybe we can do better.
The strange thing is, at least up until now, Apple does not seem to be hyping this up too much. There's no prominent mention of the film on the iTunes store yet (although that may change tomorrow), just a buried entry for it in the "coming soon" section of the movie store. What makes Apple's lack of hype even more puzzling is the fact that Hollywood seems to be looking at how successful Apple, the de facto only game in town, can make Purple Violets:
"They're obviously the leader, by a long way," says Jamie Chvotkin, president at CD Baby and Film Baby, two services that help musicians and filmmakers offer their work in digital form. "Their share in movies is probably similar to what it is in music, somewhere in the 80% range."
...
"Purple Violets," which stars director Ed Burns, Debra Messing, and Selma Blair and was made on a $4 million budget, will be a crucial test for iTunes, the first movie it'll have before it is available anywhere else.
Properly marketed, "Purple Violets" or another indie exclusive could turn into the kind of breakout hit that could nudge digital downloading into the mainstream -- something that hasn't happened yet.
Privately, studio execs have expressed hope that iTunes won't turn into the single dominant retailer of digital movies -- with all the accompanying negotiating leverage -- that it has become for music. They don't want to be in business with a partner that dictates terms to them, rather than the other way around..."It's not that those studios don't want more distribution, it's that they're not willing to sell movies at a price lower (than the DVD wholesale price) to Apple," says CinemaNow's Marvis. "Someone is going to have to blink."
"Properly marketed, 'Purple Violets' or another indie exclusive could turn into the kind of breakout hit that could nudge digital downloading into the mainstream -- something that hasn't happened yet."
So, keep an eye on iTunes over the next couple of weeks to see how successful Purple Violets is. You can order the film (I believe for $12.99 today and then I think for $14.99 tomorrow) on iTunes. Here's the link (which will open in iTunes):
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